This was the second time I had seen the Richard Alston Dance Company on stage at the Theatre Royal in Glasgow and this time I took my mum with me.
As expected, the music really made the dance, starting with 4 movements from Prokofiev's 6th Piano Sonata. 'Out of the Strong' featured most of the company and lead me through different emotions, from anger to apathy, joy and excitement. Each movement was different and the dancers' movements expressed every feeling with a fabulous synchronicity during the company piece.
'Lie of the Land' 's movement to Rorem's 4th String Quartet was a lovely contrast to the first piece, sweet and sassy with lots of surprise encounters between dancers, keeping me on my toes and not knowing who to watch next.
Finally 'Roughcut' ended this diverse show, a lovely selection for the final piece by the Theatre Royal. With a wealth of dancers, increased stage size and subtle lighting, I felt like I was a fly on the wall of a theatre, getting a sneak-peek of a private movement conversation or rehearsal. The exuberance of the dancers portrayed the 'young performers' roles perfectly, as Alston describes in the programme as youthful and articulate raw talent.
Richard Alston filled the theatre with promise and hope for the future, giving off an ideally accessible form of contemporary dance that I'm sure everyone could relate to.